Module 10 Section 1

 

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Module 10:

Fundus Photography
 

Section 1:

Instrumentation
     
 

 

 

The fundus of the eye consists of the retina and the optic nerve. The fundus camera ("retina" camera or "retinal" camera) is a sophisticated ophthalmoscope that is designed to view and photograph the retina.  It can also be used to photograph other ocular structures such as the vitreous, the lens, the iris, the cornea, the conjunctiva, and the eyelids.  Since the fundus (retinal) camera is optically optimized to photograph the curved surface of the retina, photographs of the more anterior structures of the eye tend to be distorted. The anterior structures of the eye are more realistically photographed with a slit lamp camera or an external eye camera set-up.
Instrumentation

The Topcon retinal cameras are the most widely used in ophthalmology.  We will use a Topcon type schematic as our example.  Keep in mind that the basic features of all retinal cameras are very similar.  If you are using another brand, such as a Nikon or a Canon, the basics still apply.  Experienced ophthalmic photographers can transfer their knowledge and be up to speed on an unfamiliar camera in only a few minutes.

Many OMTs new to retinal photography are uninterested in learning the parts of the fundus camera.  They just want to sit down and "do it".  But once they sit down and start "doing it", they become frustrated because of their lack of knowledge concerning the functioning parts of the camera. This Module is meant to be a stand-alone introduction to retinal photography for the beginner and a test review for those taking the COT exam.

The Camera Body and Headrest
 

Click on the number to go to the part name and explanation.  Use the back button on your browser to return to the diagram.

Numbers refer to the diagrams.

1 Headband and chinrest: The patient is positioned at the camera with his forehead against the band and his chin in the chinrest.

2 Chinrest adjusting knob: The vertical distance between the forehead band and the chinrest is adjusted with this knob.

Positioning of the patient’s head is critical to efficient retinal photography. Even small movements of the head affect proper alignment.

3 External fixation target: The patient views this small swivel light with the fellow eye (the eye not being photographed). The light is positioned such that the view of the eye being photographed is optimized as it changes position with the fellow eye which is tracking the fixation target.

4 The lens barrel, or the objective lens: Light from the camera is projected into the eye through this lens, and light reflected from the eye is gathered by this lens on its way to the film plane.

5 Diopter compensation knob: The normal setting is used for retinal photography of the "normal" eye.  Other settings compensate for high myopes, high hyperopes, and for anterior photography.

6 Angle or magnification lever:  A 50 degree, 35 degree, or 20 degree angle of view can be selected.  The 50 degree view gives a "wide angle" view, meaning more area of the retina is visible. However, with the 50 degree view structures such as the macula and optic nerve appear smaller in the frame (less magnified).  The 20 degree view is much narrower, but retinal structures are larger in the frame (more magnified). Also, be aware that alignment and focusing are easier using the 50 degree view and become more difficult as the view is narrowed to 35 and 20 degrees.

7 Accessory mount: A Polaroid camera back or a digital camera can be mounted here.  It is controlled (selected) by the "upper" button (24) on the control panel.

8 Eyepiece (finder): The eyepiece must be adjusted for each operator to insure pictures that are in focus.

9,18 Focusing knob: Located on each side of the camera for easy reach.

10 Camera back and mount: A 35mm camera body can be mounted here for slide photos or for film based fluorescein angiography. This port is controlled (selected) by the "lower" button on the control panel (24).

11 Shutter release button: This button fires the flash, takes the photo, and advances the system to the next frame. There is usually a footpedal release that can be used instead of the control lever release.

12 Control lever: This controls fine forward/backward, side-to-side, and vertical alignment of the camera. Gross alignment of the camera is accomplished by sliding the base of the camera in the desired direction.

13 Vertical control knob: Most cameras incorporate the vertical control with the joystick, but some have a separate vertical control knob.

14 Lamphousing: A removable cover gives access to bulb(s).

15 Filter knob: Various filters can be dialed into the light-path using this knob. The most commonly used is the green filter (red free) which is used with black-and-white film to accentuate blood vessels.

16 Illumination diaphragm lever: This lever is set to "N" if dilation is sufficient for good illumination of the retina.  If the pupil is small, this lever can be set on "S" to provide better illumination. Small pupil illumination is also improved by using the 35 or 20 degree angle (magnification) settings (6).

17 Internal fixation target: This device inserts a pointer into the camera light path such that the photographer and the patient can see it. The patient is instructed to look at the tip of the pointer as the photographer moves it to align the patient’s eye. This device is particularly useful if the patient cannot fix on the external fixation device (3) with the fellow eye. A disadvantage is that the pointer appears in the photograph.

 

18, 9 Focusing knob: Located on each side of the camera for easy reach.

19 Tilting handle: This device is used to tilt the camera upward and downward. This is used in situations where the subject (e.g. a nevus or melanoma) is so far out in the periphery that the eye cannot be sufficiently aligned by using the external fixation device alone. The camera can also be rotated left and right along the axis of the base.

 

Control panel

 

20 Data display: Displays information such as the counter, the timer, and the angle of view being used.

21, 22 Flash intensity panel:  Flash intensity is changed by using the up and down buttons (22) on the panel.  The higher the number is, the brighter the flash.  Although the instruction manual for the camera will provide a guideline, flash intensity is generally determined by the subject matter and the ISO (speed) rating of the film or by the sensitivity of the digital camera. Taking a test roll of film is advisable. Generally, color slide film and digital imaging require lower settings.  Film based fluorescein angiography requires medium-high settings.

The "NF" setting means "no flash". This is used when loading film into the camera back to avoid annoying flashes in the patient’s direction.

23 Data switch:  Photographs the patient information when pressed.  Information such as name, number, and date can be written on a data plate and inserted into the light path.

24 Upper / Lower switch: Selects which camera is activated to take the exposure.

25 Timer switch:  Used to start and stop the fluorescein angiography timer.  The time is recorded on each frame.

26, 27 Exciter and Barrier switch:  Used to insert and remove these filters which are used for fluorescein angiography.

28 Illumination adjustments:  These adjustments control the brightness of the illumination lamp.  This is the light that allows you to see into the eye before you capture a picture with the flash.  The illumination brightness usually does not affect the exposure of the photograph, but for patient comfort you want to use the lowest setting that allows you to see adequately. The "NL" slide is used when not performing angiography and usually requires a lower setting. The "FLUO" slide works when the exciter filter has been activated and usually requires the maximum setting to be able to view the retina when the filter is in place.

The advantage of having separate switches is that the illumination light intensity is automatically switched to the NL setting when the fluorescein filter is removed from the light bath,  and visa-versa.  This permits an automatic step-down or step-up of the flash intensity without having to move the slide.

29 Flicker switch: This switch changes the external fixation light into a flickering light. The flickering light is sometimes easier for the patient to identify and follow.

 

35 mm Camera Backs

30 Rewind crank: This crank is used to manually rewind the film. Most camera backs have an auto-rewind feature so the crank is not used unless the auto-rewind fails. The rewind crank can be turned gently clock-wise to determine if there is film in the camera.  If there is film in the camera, the crank will come to a stop. If there is no film in the camera, the crank will freely turn around.

31 Camera mount:  Fits into a slot on the main camera unit and secures with a locking lever. Care must be taken to properly seat the camera.

32 Electrical contacts: These contacts supply power and synchronize the camera mechanism. They are automatically aligned when the camera back is properly mounted.

33 Film counter:  Indicates the number of frames that have been taken. Standard film rolls hold either 24 or 36 exposures. If the camera stops working, look here to see if you have reached the end of a roll.

34 Rewind switch: This switch will initiate the auto-rewind mechanism.

35 Back-cover: This cover pops open for access to load and unload film.

36 Back-cover release button: This button opens the back-cover. On some camera backs the back-cover is released by pulling up on the rewind-crank.

 

Maintenance

Cleaning the objective lens:  Use the lens cover and avoid bumping the patient to minimize this task.  Never use facial tissue or cotton tipped applicators. These lenses scratch easily and you must follow the procedure described in the camera manual.

Bulb replacement:  Follow the instructions in the camera manual.

 

 

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